Srinivas Avasarala's highly anticipated third film, "Phalana Abbayi Phalana Ammayi," starring Naga Shaurya and Malavika Nair in lead roles, has been released. As a romantic entertainer and the third collaboration between Shaurya and Avasarala, expectations for the film have been high. Let's find out how it turned out.

Story:

The narrative of the story unfolds through multiple chapters, starting in the year 2010 in the United Kingdom and eventually traveling back in time to 2000, when Sanjay (Naga Shaurya) and Anupama (Malvika Nair) cross paths at an engineering college in Visakhapatnam.

As university students in the UK, they develop a close bond and eventually fall in love. The couple makes the bold decision to live together, but when Anupama falls ill and is hospitalized, Sanjay fails to visit her.

Their relationship slowly fades away, and they eventually lose touch. However, their paths unexpectedly cross again many years later, reminiscent of a romantic comedy. Will they rekindle their love? What was the reason behind Sanjay's absence during Anupama's illness? Will Anupama ever discover the truth?

How did the actors perform?

Naga Shaurya delivers a sincere performance as the perplexed youngster, skillfully adapting his appearance to match the various ages he portrays.

Malvika Sharma's charming and convincing portrayal steals the spotlight, showcasing her innate talent to express a wide range of emotions.

Director Srinivasa Avasarala makes a brief appearance, while Sri Vidya, portraying Malvika Nair's roommate, and Megha Chowdhury, playing Naga Shaurya's other girlfriend, deliver adequate performances. Harini Rao's character proves to be the most vexing in the film.

What about the technical finesse?

The music in the film is delightful, with two songs that particularly stand out. The cinematography is impressive, capturing the picturesque landscapes of the UK and elevating the visual appeal of the frames. Although only a couple of dialogues are noteworthy, they are executed exceptionally well. The editor likely faced the challenging task to arrange the fragmented footage in a cohesive manner.

Analysis:

The overused template of two lovers reuniting after years of separation due to a single incident is employed by Srinivasa Avasarala in PAPA. Unfortunately, the director's execution falls short, resulting in a confusing and awkward film.

The male and female leads are perplexed about their feelings, and the director seems even more lost. The film's first half introduces the reason for their separation, but the second half is filled with nonsensical sequences, including Avasarala Srinivas's character attempting to woo the female lead and a sudden wedding.

The never-ending climax and nonsensical closure only add to the film's flaws. Avasarala's direction and writing detract from what could have been a decent romantic comedy, making it a tedious and messy experience.

Verdict: "Phalana Abbayi Phalana Ammayi" may be of interest to those who enjoy slow-paced romantic films that take their time to develop. The film may feel tedious and unengaging.

Rating: 1.75/5